1. Craig Green Spring/Summer 2015
2. Craig Green Spring/Summer 2014
3. Craig Green Fall/Winter 2013

We all love him. At first. For the walking wood and cardboard sculptures. Second. For the psychedelic dip-dye, hand-dye, hand-job. And then. For the poetry of jinbei. I am wearing him.


ER - A - (S...)ER

1. Michael Krebber Systemic Relevance, 2014
2. Jil Sander Fall/Winter 1998
3. Jil Sander Spring/Summer 1996
4. Ed Ruscha Rabbit, 1986

Flying from Krebber to Ruscha via Sander. For obvious reasons, I am still faithful to the brand. Although left anonymous now. But besides all personality talk, it is the moment and concept that count.


Positive Extremism

1. Comme des Garçons Homme Plus Spring/Summer 2015
2. John Galliano Fall/Winter 1997
3. Collier Schorr Base Portraits/Barracks, 2005

Straight pacifism. The most admirable beings united. Rei, Raf, Collier. Nipster fashion for the pre-digital, post-digital age. Those of us you live analogue digially. In Real Life. In Real Love. On- and offline.

Inspired by Alexander Fury


Granularity X

1. Dior Haute Couture Fall/Winter 2014
2. Helmut Lang Surrogate Skin, 2008
3. Raf Simons/Sterling Ruby Fall/Winter 2014
4. Helmut Lang Make It Hard, 2011
5. Dior Haute Couture Fall/Winter 2014
6. Helmut Lang Arbor, 2008
7. Dior Haute Couture Fall/Winter 2014
8. Dior Haute Couture Fall/Winter 2014
9. Helmut Lang Arbor, 2008
10. Helmut Lang Fall/Winter 1996 & Dior Haute Couture Fall/Winter 2014
11. Dior Haute Couture Fall/Winter 2014
12. Helmut Lang Front Row, 2009
13. Raf Simons/Sterling Ruby Fall/Winter 2014

The Raf Sandior universe is a hermeneutic one. Like father, like son. Or like 'Fathers Fathers' and 'Abus(ive) Lang(uage)'. And as we know, this letter similitude is no coincidence. What would father say?


Simulating/Rubbing Off Modernity/Art

1. Bruce Nauman Raw Material - Brrr, 1990
2. Bruce Nauman Flesh To White To Black To Flesh, 1968
3. Ed Atkins Warm, Warm, Warm Spring Mouths, 2013
4. Bruce Nauman Studies For Hologram, 1970

An exhibition of beauty that seeks international comparison. Juxtaposing the old master with the young master. Video experiments with the self (Nauman) and a 3D-modelled self (Atkins). 1968-2013. Poetic, disgusting, sentimental.

Ed Atkins | Bruce Nauman, July 7 – October 26 2014, Kunsthalle Mainz, Germany